Simmons is a uneven writer (
Flashback was a major failure) but I maintain
Terror is a well crafted and mastered novel. Too long of course but that's a US editorial pathology (S. King's being the master of huge dragging books: very good start, mediocre and dragging midpart and grotesque end, I speak of his last 20 years production).
Drood, excepted some interesting parts, really really drags too much. My souvenir of
The Song of Kali is very distant but I think he was at his best at this time. I remember
Endymion. No, sorry, the survival of the Vatican in a type I civilization is really too much for me. It could have been worst: Simmons could have staged the Caliphate.
I saw you read Peter Watts
Echopraxia as our friend
Monkeyface
. For me he is currently the best in SF. He doesn't masterize everything but he is the one who shows the most fascinating intuitions. It's difficult to understand
Echopraxia if you didn't read
Blindsight.
Do you know John C. Wright
Golden Age? If not I think it'll gain your curiosity. A - totally confidential - space-opera masterpiece.
Last recommendation:
Zig Zag of the spanish author José Carlos Somoza. Very good novel exploiting the string theory.
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