I spent 2/3 of yesterday reading my Everyman's hardcover copy of Great Expectations. I haven't read fiction in five years. It was a choice between this, Pride and Prejudice and The Picture of Dorian Gray.
I first studied this text in third year English - Victorian fiction. That was more than a decade ago and it's astonishing I still remember some passages intimately. I hope it hasn't distorted me in anyway because these words may have been composed two centuries ago, but if you rearrange the words they are the same things that I moan about to Rambo and occasionally in the "pissed off" thread.
Consequently, knowing one of my old work mates from Essex for eight years made the dialogue of the lower class characters in this novel so much more understandable for me.
On Romantic Love – capitol R and L
The unqualified truth is, that when I loved Estella with the love of a man, I loved her simply because I found her irresistible. Once for all; I knew to my sorrow, often and often, if not always, that I loved her against reason, against promise, against peace, against hope, against happiness, against all discouragement that could be. Once for all; I loved her none the less because I knew it, and it had no more influence in restraining me than if I had devoutly believed her to be human perfection.
On Rejection
"You must know," said Estella, condescending to me as a brilliant and beautiful woman might, "that I have no heart,—if that has anything to do with my memory."
"Oh! I have a heart to be stabbed in or shot in, I have no doubt," said Estella, "and of course if it ceased to beat I should cease to be. But you know what I mean. I have no softness there, no—sympathy—sentiment—nonsense."
More On Rejection
"It seems," said Estella, very calmly, "that there are sentiments, fancies,—I don't know how to call them,—which I am not able to comprehend. When you say you love me, I know what you mean, as a form of words; but nothing more. You address nothing in my breast, you touch nothing there. I don't care for what you say at all. I have tried to warn you of this; now, have I not?"
I said in a miserable manner, "Yes."
"Yes. But you would not be warned, for you thought I did not mean it. Now, did you not think so?"
"I thought and hoped you could not mean it. You, so young, untried, and beautiful, Estella! Surely it is not in Nature."
"It is in my nature," she returned. And then she added, with a stress upon the words, "It is in the nature formed within me. I make a great difference between you and all other people when I say so much. I can do no more."
On Jealousy
"Recounting to-night's triumph?" said I. "Surely a very poor one, Estella."
"What do you mean? I didn't know there had been any."
"Estella," said I, "do look at that fellow in the corner yonder, who is looking over here at us."
"Why should I look at him?" returned Estella, with her eyes on me instead. "What is there in that fellow in the corner yonder,—to use your words,—that I need look at?"
"Indeed, that is the very question I want to ask you," said I. "For he has been hovering about you all night."
"Moths, and all sorts of ugly creatures," replied Estella, with a glance towards him, "hover about a lighted candle. Can the candle help it?"
"No," I returned; "but cannot the Estella help it?"
"Well!" said she, laughing, after a moment, "perhaps. Yes. Anything you like."
"But, Estella, do hear me speak. It makes me wretched that you should encourage a man so generally despised as Drummle. You know he is despised."
"Well?" said she.
"You know he is as ungainly within as without. A deficient, ill-tempered, lowering, stupid fellow."
"Well?" said she.
"You know he has nothing to recommend him but money and a ridiculous roll of addle-headed predecessors; now, don't you?"
"Well?" said she again; and each time she said it, she opened her lovely eyes the wider.
To overcome the difficulty of getting past that monosyllable, I took it from her, and said, repeating it with emphasis, "Well! Then, that is why it makes me wretched."
"Pip," said Estella, casting her glance over the room, "don't be foolish about its effect on you. It may have its effect on others, and may be meant to have. It's not worth discussing."
"….for I have seen you give him looks and smiles this very night, such as you never give to me."
"Do you want me then," said Estella, turning suddenly with a fixed and serious, if not angry, look, "to deceive and entrap you?"
"Do you deceive and entrap him, Estella?"
"Yes, and many others,—all of them but you…"
On Control
"It is not easy for even you." said Estella, "to know what satisfaction it gives me to see those people thwarted, or what an enjoyable sense of the ridiculous I have when they are made ridiculous. For you were not brought up in that strange house from a mere baby. I was. You had not your little wits sharpened by their intriguing against you, suppressed and defenceless, under the mask of sympathy and pity and what not that is soft and soothing. I had. You did not gradually open your round childish eyes wider and wider to the discovery of that impostor of a woman who calculates her stores of peace of mind for when she wakes up in the night. I did."
"Two things I can tell you," said Estella. "First, notwithstanding the proverb that constant dropping will wear away a stone, you may set your mind at rest that these people never will—never would, in hundred years—impair your ground with Miss Havisham, in any particular, great or small. Second, I am beholden to you as the cause of their being so busy and so mean in vain, and there is my hand upon it."
As she gave it to me playfully,—for her darker mood had been but Momentary,—I held it and put it to my lips. "You ridiculous boy," said Estella, "will you never take warning? Or do you kiss my hand in the same spirit in which I once let you kiss my cheek?"
"What spirit was that?" said I.
"I must think a moment. A spirit of contempt for the fawners and plotters."
"If I say yes, may I kiss the cheek again?"
"You should have asked before you touched the hand. But, yes, if you like."
I leaned down, and her calm face was like a statue's. "Now," said Estella, gliding away the instant I touched her cheek, "you are to take care that I have some tea, and you are to take me to Richmond."
On Breakup
"Nonsense," she returned,—"nonsense. This will pass in no time."
"Never, Estella!"
"You will get me out of your thoughts in a week."
"Out of my thoughts! You are part of my existence, part of myself. You have been in every line I have ever read since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since,—on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made are not more real, or more impossible to be displaced by your hands, than your presence and influence have been to me, there and everywhere, and will be. Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation, I associate you only with the good; and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God bless you, God forgive you!"
